A Great Cycling Comedy? Jour de Fête

Trailer-like video for the re-release of a restored version of this 1948 movie in 2014 - embedded video starts where cycling is featured

Jacques Tati was a film director and actor in France after World War II up through the early 1960s. His films are quite remarkable, making certain social commentary in films that were mostly physical and visual humor (although it is more complex than that).

His first 1949 full length film, Jour de fête (or The Big Day), centers on a postman in a French village who spends much of the film making deliveries (although I have only seen snippets, not the entire thing). Wikipedia has a short summary of the plot. Apparently the thought was he should perform more like the (then) super-efficient United States Post Office.


Two minute clip where the postman joins French racing cyclists on the road

It is not clear to me in the above scenes how he manages to appear to maintain such a high rate of speed; perhaps the playback is sped up somehow, although it doesn't look that way when he is with the other riders. Sitting bolt upright as he is, it would be hard to maintain such speed, particularly given what seems to be a single-speed bike and how it appears to be geared.


The postman chases his bicycle that travels a considerable distance without a rider

Again, I don't know how they did this - keeping the bike rolling for these distances without falling over. I like that the pedals keeping going around, as they would on a fixed gear bike.

The Evolution of the Bicycle as a Tool-for-Living

A point of comparison - 15 years (or so) of mobile computing devices

One reason I appreciate bicycles is that a good basic bicycle can be highly useful even if only slightly evolved from what was in use over 100 years ago.

By comparison, we have mobile computing devices, which are disposable units (although we see uhm I forgot to dispose of several) that provide useful service for at best four or five years. Further, while mobile commuting are evolving, not all the evolution is in a positive direction for many users. The 2001 (or so) Palm Pilot M105 was a cheap plastic device that required docking with a PC in order to upload/download messages but it weighed almost nothing and having no glass, was difficult to break (and if you did, it was so cheap, it didn't matter that much). I was actually fairly good with the "shorthand" to enter text with a stylus. The next step, a "traditional" 2005 or 2006 BlackBerry, was much more truly a mobile computing device but best for doing email with its "real" (tiny) keyboard - the size of the screen made Internet browsing painful - but then, that wasn't the point. Then we have a now-old(ish) iPhone 6 - the main thing I use it for is email, for which the keyboard is not great (for me; I realize some are good at it). The browser is good but not the main reason I have this device. And compared to the Palm Pilot or the BlackBerry, it is heavier as well as fragile with its sheet of glass. (Alas now I find it necessary some of the time to have both a work phone and a personal phone and the two of them together weigh 5/6 of a pound, which is annoying.)

Most importantly the two older mobile devices are simply unusable due to obsolescence. There is no comparison with a good bicycle!


A 1982 Bridgestone bicycle that I ride thousands of miles a year to and from work

About six years ago I bought the frame and fork for this Bridgestone on eBay for a little over $100 including the shipping. I then spent another ~$400 on a combination of used and new components to make it into an outstanding commuter bike. Other than the brakes I chose, which are a design introduced in the 1990s, nothing about the bike now represents a technological improvement over the bike as originally sold in 1982. I would be fine with riding the bike to and from work with the components that it had originally - that is, there is no way to regard any aspect of this bike as sold 35 years ago as obsolete. No one gives a second glance to this bicycle as they would if I tried to use my plastic Palm Pilot at a meeting at work, for example, or to use a different example, if I drove around in a 35 year old car.


Another ageless bicycle, a 1995 Trek SingleTrack

I purchased this bike two years ago from a bike repair "collective" (http://velocitycoop.org/ that had too many bikes and was selling excess - it cost $60 more or less as shown, except it was missing a saddle (seat) and only had one pedal. Well and it was incredibly filthy. I added a pedal and saddle and cleaned it and it was immediately ridable. While at the time this was a "low end" Trek bike, it was still significantly more expensive than many similar looking bikes one sees for sale today - the difference was that this bike was made with well thought out double butted chromoly tubing for the frame that means it only weighs 27 pounds (which is good). I have put studded tires on this for winter and it is a great bike for icy conditions!


My one perhaps mistaken concession to modern bicycle technology - sort of

I did buy this bike new in 2007 - it is a carbon fiber road bike and I ride it in good weather. Avoiding rain reduces maintenance and the bike doesn't have fenders anyway. It is nice, weighs just under 20 pounds, or about five pounds less than the Bridgestone above. The "technology" that is advanced for this bike is the use of carbon fiber for the frame, which at the time had a certain appeal to me that I still understand, but I wouldn't do it again. Carbon fiber is simply nasty to dispose of, although apparently the bike frame is unlikely to wear out - but eventually someone will dispose of it. And creating it in the first place was not a green process, either. Carbon fiber bike frames didn't render my steel bikes obsolete for commuting!

I doubt I will ever buy another new bicycle. New to me, perhaps, but not new-new. New technologies for bicycles are largely optional (if not also perhaps highly attractive/sexy to some people) such as hydraulic brakes or electronic shifting. No thanks.

Unusual Bicycle Messenger Photograph

Telegraph messenger, Berlin - during WWI

http://hdl.loc.gov/loc.pnp/ggbain.19641 persistent link to this Library of Congress collection item, a digitized Bain News Service photograph.

Bicycle messengers in the US 100 years ago or so were usually teenage boys, hardly old enough to serve in the army, but apparently in Berlin this was not the case since with the men off serving, this woman was a bicycle messenger. Her attire, with long skirt, is not particularly practical for this activity (but it could have been worse). Her single-speed bicycle with a simple spoon brake with a step-through frame is probably not inferior to a mens that would have been used for this purpose at the time.

Presumably this photograph was taken before the United States joined the war against Germany.

"A Celebration of Cycling"-Statue

Happy New (Cycling) Year!

Artist Jerome B. Meadows's 1991 sculpture, "A Celebration of Bicyling," stands on the grounds of Carillon Historical Park in Dayton, Ohio, that contains historic buildings and exhibits concerning the history of technology and the history of Dayton. One of the reasons that the city celebrates cycling is that the pioneer aviators Orville and Wilbur Wright operated several cycling shops in town while they worked to perfect their historic flying machine.
Title
Artist Jerome B. Meadows's 1991 sculpture, "A Celebration of Bicycling," stands on the grounds of Carillon Historical Park in Dayton, Ohio, that contains historic buildings and exhibits concerning the history of technology and the history of Dayton
Contributor Names-Highsmith, Carol M., 1946-, photographer
Created / Published-2016-10-12.
Subject Headings
- United States--Ohio--Montgomery County--Dayton
- America
- Jerome B. Meadows
- Celebration of Bicycling sculpture
- Carillon Historical Park
- Wright brothers
- Orville Wright
- Wilbur Wright
Format Headings-Digital photographs--Color--2010-2020.
Genre-Digital photographs--Color--2010-2020
Notes
- Title, date and keywords based on information provided by the photographer.
- One of the reasons that the city celebrates cycling is that the pioneer aviators Orville and Wilbur Wright operated several cycling shops in town while they worked to perfect their historic flying machine.
- Credit line: Photographs in the Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division.
- Purchase; Carol M. Highsmith Photography, Inc.; 2016; (DLC/PP-2016:103-4).
- Forms part of the Carol M. Highsmith Archive.
Medium-1 photograph : digital, tiff file, color.
Call Number/Physical Location-LC-DIG-highsm- 41750 (ONLINE) [P&P]
Source Collection-Highsmith, Carol M., 1946- Carol M. Highsmith Archive.
Repository=-Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA hdl.loc.gov/loc.pnp/pp.print
Digital Id-highsm 41750 //hdl.loc.gov/loc.pnp/highsm.41750
Library of Congress Control Number-2016632568

Hollywood Rides a Bike: Cycling with the Stars (Book Review)

Hollywood Rides a Bike: Cycling with the Stars by Steven Rea

My rating: 4 of 5 stars


This is about 150 pages of photographs of movie stars riding bicycles, or simply posed with them. There is a short introduction. Most of the photos are older - only a handful after 1970 or so. Some are off movie stars on bikes in scenes in movies but more are of movie stars on bikes riding around the studio or in some publicity photo that happens to include a bike. The author has often been able to deduce what the bicycle is and provides that information, which is amusing and pleasing if one is interested in that sort of thing. One of the studios apparently liked "Rollfast" cruiser bikes that appear more than others.

As it happens, the author also has a blog that provides the same sort of photographs - http://ridesabike.com/. It says, "Rides a Bike was launched on Thanksgiving Day, 2010 — a photo blog designed to showcase and celebrate two big passions of mine: cycling and cinema." It appears a new photo is still added about once a week. There is a pull-down list of all the movie stars who appear in a photo (or in some cases, more than one).

I got this from the library, paged through it a bit, and was amused. For that, the book is better than the web site I think - but maybe not. Browsing quickly still seems something a paper book can do than a blog-format web site.

View my other book reviews.

Draft Animals: Living the Pro Cycling Dream (Book Review)

Draft Animals: Living the Pro Cycling Dream by Phil Gaimon

My rating: 5 of 5 stars


I have read Gaimon's two previous books and liked them reasonably well, so when I saw that he had another book coming out I was eager to read it. It focuses on his most successful year as a WorldTour rider with Garmin-Sharp in 2014, then his "remedial" year as a Continental level rider with Optum, followed by a less successful year with Cannondale (which was a successor WorldTour team to Garmin-Sharp).

The books successfully combines an interesting narrative presentation of what it is like to be on a WorldTour team with contemplation of several "what is the point of this?" type questions or considerations. At least for me, neither of these threads got in the way of the other.

Gaimon has a brisk style that I find easy and pleasant to read - I got through this in only a few days, which for me these days is highly unusual. (That alone is why it must be a five star read.) Gaimon's humor can veer into the juvenile, but my impression is that there is less of that in this book than the previous two books. One senses it was part of his identity as a professional bicycle racer, so it belongs.

One aspect of modern bicycle road racing is that we are in the post-Lance Armstong era - doping reached something like a pinnacle of technical success, then came crashing down. Gaimon, who has a tattoo that reads "clean" on his arm, was a professional road racer who established his career just when many sponsors were withdrawing support in reaction to the doping scandals. Most of the best known riders for some time however were all former dopers and one of the questions this book raises (but does not answer) is what the appropriate position is for a clean rider towards these former dopers. He does, however, describe many interactions between the two kinds of riders.

Gaimon occasionally makes comments about individuals that are not, let's say, particularly positive. That is, some of these people are almost certainly unhappy with him. The range of these comments varies considerably in tone and approach. For example, it becomes clear he has no use for the Schleck brothers, who are both (apparently) assumed to have enjoyed success largely through doping, mostly be descriptions of exchanges with them where other riders told them in one or another way to get lost. He is far more direct in his criticism of his former tour director, Jonathan Vaughters, and a few others.

One subject that surprised me in its absence is that while Gaimon had the difficulties of the contraction of support for professional cycling to contend with in the post-doping era, he says nothing about being an American professional bicycle racer in Europe as such. By the time he arrives to WorldTour cycling that mostly plays out in Europe that previously would have been mostly European riders, the challenge of success presented simply be being an American has been overcome, it seems.

One interesting aspect is that Gaimon's success with social media and skills at public relations ended up being perhaps his strongest contribution to a WorldTour team - which he realized was not what really what he was in it for. Now, however, as a "retired" racer, social media is fine and he is all about public relations, mostly it would appear on behalf of himself. http://philthethrill.net/ is the starting point for current information about "PhilTheThrill."

What will he write about next??

View my other book reviews.

Overman Wheel Co. Victor Bicycle Lithograph

Three women on bicycles

Will H Bradley was the American illustrator who did this, which was to be included in an issue of Harper's Magazine. Published in 1895, this is just before the height of the "bicycle craze" of the 1890s.

This is an for the Overman Wheel Company and their Victor bicycles.

www.loc.gov/item/2002721219/

Title-Victor bicycles, Overman Wheel Company, Boston, New York, ... / Will H. Bradley
Summary-Three women on bicycles.
Created / Published-1895.
Notes
- Lithograph printed by Harper & Brothers, New York.
- Reverse: cover by M. Parrish for Harper's Weekly, Christmas, 1895 [can't see since encapsulated with backing sheet].
- Promotional goal: US. D41. 1895; US. K22. 1895.
- This record contains unverified, old data from caption card.
Medium-1 print (poster) : color.
Call Number/Physical Location-POS - US .B732, no. 25 (B size) [P&P]
Repository-Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA>
Digital Id-cph 3b49660 //hdl.loc.gov/loc.pnp/cph.3b49660; cph 3a17246 //hdl.loc.gov/loc.pnp/cph.3a17246; cph 3a29202 //hdl.loc.gov/loc.pnp/cph.3a29202
Library of Congress Control Number-2002721219
Online Format-image
Description-1 print (poster) : color. | Three women on bicycles.
LCCN Permalink-lccn.loc.gov/2002721219


This poster, also be Bradley for Overman, is probably better known.
Title: Victor Bicycles Overman Wheel Co. / / Bradley.
Creator(s): Bradley, Will, 1868-1962, artist
Date Created/Published: Boston : Forbes Co., [1896]
Medium: 1 print (poster) : lithograph, color.
Summary: Poster advertisement for Overman Wheel Company's Victor bicycles, showing a woman watching another woman riding a bicycle. Includes art nouveau style flowers.

OOPS! I eventually realized that I blogged separately about these two different items some years ago. Here, however I consolidated the information. And expanded it, slightly. Oh well!